NOFORMULA

NOFORMU4A
9 May - 27 May 2026

@noformu4a

SUP LAB Process Archive：Invited Parallel Programme

NOFORMULA at SUP LAB:4th Floor is an invited parallel programme within SUP LAB, taking place alongside Activation: Micro-Language Models of Art at MiART Space. As NOFORMULA also participates in the Activation exhibition context, its presence at SUP LAB opens another site for process, shared time, collective decision-making, and spatial response.

NOFORMULA at SUP LAB:4th Floor 是 SUP LAB 邀請進駐的平行計畫，與 MiART Space 的《Activation: Micro-Language Models of Art》同期發生。NOFORMULA 同時作為 Activation 展覽脈絡中的參與團體，於 SUP LAB 展開另一個以過程、共處、集體決策與場域回應為核心的現場。

SUP LAB invited NOFORMULA to enter the space through a workshop developed by NOFORMULA in response to the conditions and spirit of SUP LAB. Rather than preparing for a fixed exhibition outcome, the workshop became a starting point for process, exchange, and collective experimentation. It opened a shared condition for participation, collective decision-making, and site-responsive practice.

SUP LAB 邀請 NOFORMULA 以工作坊的形式進入場域；此工作坊由 NOFORMULA 發展，並回應 SUP LAB 的場域條件與精神。它不是為了準備一個固定的展覽成果，而是作為過程、交流與集體實驗的起點，開啟一個以參與、集體決策與場域回應為核心的共享狀態。

Workshop as Entry Point

NOFORMULA Working On Site

Before any fixed exhibition form emerged, the participants began by working directly with the site. Together, they cleaned, arranged, tested, adjusted, and gradually shaped the space from the ground up. This process brought practical tasks, creative decisions, and collective negotiation into the same working condition.

Rather than treating installation as a final technical step, the on-site process became part of the project itself. The participants responded to the existing conditions of SUP LAB:4th Floor, negotiating how works, bodies, materials, and movement could share the space. Through this process, collaboration was not only discussed, but practised through hands-on decisions and shared responsibility.

在任何固定的展覽形式形成之前，參與者先從場域本身開始工作。他們一起清理、安排、測試與調整，從零開始逐步形塑 SUP LAB:4th Floor 的現場環境。這個過程讓實際的空間準備、創意判斷與集體協商進入同一個工作狀態。
在這裡，佈展並不只是展覽完成前的技術步驟，而是成為計畫本身的一部分。參與者回應 SUP LAB:4th Floor 既有的空間條件，協調作品、身體、材料與動線如何共同存在。透過這個過程，合作不只是被討論，而是在一次次現場決定與共同責任中被實踐出來。

The Process

1. Presentation Group 提案呈現
2. Discussion 集體討論
3. Proposal negotiation Collective 方案協調
4. Decision-making 集體決策

The Site Response

SUP LAB:4th Floor is not a fixed exhibition venue, but a structured open platform situated between artistic production and curatorial research. It is not defined by what it presents, but by how things are allowed to happen, enabling creative processes, relationship-building, and the rethinking of exhibition mechanisms to unfold on site.

When NOFORMULA entered this space, the aim was not to adapt the site to fit a fixed exhibition plan, but to respond to the conditions already present. Works, bodies, materials, and movement were negotiated in relation to the site, allowing the space itself to become part of the process.

Here, site response is not only a spatial decision, but a way of working: observing, adjusting, and discussing as the project gradually takes shape through the conditions of the space.

SUP LAB:4th Floor 並非一個固定的展覽場域，而是一個介於藝術生產與策展研究之間的「有結構的開放平台」。它不以「展示什麼」來定義自身，而是透過「如何發生」來運作，讓創作過程、關係建立，以及對展覽機制的重新思考，在現場持續展開。
當 NOFORMULA 進入這個場域時，並不是將空間調整成符合某個固定展覽計畫的樣子，而是回應場域中原本存在的條件。作品、身體、材料與動線，都在與現場的關係中被協調與安排，使空間本身成為過程的一部分。
在這裡，場域回應不只是空間配置上的決定，而是一種工作方式：透過觀察、調整與討論，讓計畫在空間條件之中逐步成形。

About NOFORMU4A: TOGETHER

黃卉榆 Hui-Yu Huang

楊世濱 Shin-Bin Yang

雷振豐 Chan-Fang Loi

Within an ongoing practice-led framework, NOFORMULA 4th Edition (NOFORMU4A: TOGETHER) continues its established mode of operation, working without a predefined curatorial theme. Instead, it sets conditions through which participants learn and develop through process and experience. Framed by the subtitle “together”, the exhibition does not focus on gathering with a fixed objective, but on relationships that gradually emerge through shared time and space — a form of being together shaped by proximity and exchange.

In this edition, curation itself is approached as a collective action. Eighteen participants engaged in a workshop-based process, contributing to exhibition planning through stages of presentation, group discussion, spatial organisation, and proposal negotiation. Through collective decision-making, the overall structure of the exhibition was formed. Within this framework, works are not arranged through a singular curatorial perspective, but are continuously adjusted across multiple viewpoints, allowing the exhibition to extend beyond a final outcome into a process of decision-making and relational development.

在持續以實踐作為核心方法的脈絡下，「NOFORMULA」第四屆展覽（NOFORMU4A:TOGETHER）延續其一貫的運作方式，不預設固定策展主題，而是透過設定規則，使創作者在過程中學習與經驗。本屆以 “together” 為小標題，所關注的並非帶有明確目的的集結，而是一種在共享時間與空間中逐步形成的關係：一種有溫度的「一起」。
本屆將「策展」本身轉化為一種集體行動。18位參展者透過工作坊共同參與展場規劃，從彼此介紹作品開始，進入分組討論、空間配置與提案協商，最終透過集體決策形塑展覽的整體樣貌。在這樣的機制下，作品不再被單一視角所編排，而是在多重觀點之間反覆調整，讓展覽及作品不再只是結果的呈現，而是決策過程與關係生成的延伸。

陳佑甯 Yu-Ning Chen

施永峯 Yung-Feng Shih

楊涵宇 Han-Yu Yang

陳宥齊 Nicolas Chen

謝牧芸 Mu-Yun Hsieh

The exhibition takes place at SUP LAB, a space defined by its domestic scale and existing architectural conditions. Its layout, including balconies and semi-open circulation, shifts the exhibition away from the controlled environment of a white cube towards a site that requires response and negotiation. This spatial condition directly informs how works are positioned and understood, situating “together” not only as a method, but as an ongoing interaction with the environment.

Within this context, “together” refers both to co-presence and to a mode of practice. Through continuous discussion, adjustment, and compromise, participants develop an understanding of each other’s work while negotiating temporary forms of balance across differences. The exhibition is therefore not structured by a fixed curatorial logic, but is constituted through the formation of relationships.

The collaboration between NOFORMULA and SUP is not simply a shift of venue, but an alignment of conditions. One operates through open systems and collective participation, loosening established divisions between artistic and curatorial roles; the other provides a context capable of supporting uncertainty and process-based development. Through this intersection, “together” becomes not only a conceptual proposition, but a structure that can be enacted and experienced.

Within this structure, art is understood not as a final outcome, but as an ongoing process that unfolds through relationships, while the exhibition becomes a temporary manifestation of this process.

本屆展覽發生於 SUP Lab。作為一個帶有生活尺度的空間，其既有的老宅格局、陽台與半開放的動線，使展覽不再是一個可被完全控制的白盒子，而更接近一個需要被回應與協商的現場。這樣的空間狀態，直接影響了工作坊中對於作品配置的思考，也讓「一起」不只是方法，而是成為與環境互動的過程。
在這樣的條件下，「together」不僅指向參與者之間的共在，也指向一種更具體的實踐方式：透過不斷的討論、調整與取捨，逐步建立對彼此作品的理解，並在差異之中找到暫時的平衡。這種生成方式，使展覽不再依賴既定的策展邏輯，而是在關係的建立中被構成。
因此，本次NOFORMULA 與SUP之間的合作，並非單純的場地轉換，而是一種條件的對接：一方持續透過開放機制與集體參與，鬆動創作與策展之間的既定分工；另一方則提供了一個能夠承載這種不確定性與生成過程的場域，使展覽得以從概念層面落實為具體經驗。兩者的交會，使「一起」不只是概念性的描述，而成為一種可以被實踐、被感知的結構。
在這個結構中，藝術不再被理解為最終完成的成果，而是一種在關係之中持續發生的過程；而展覽，則成為這個過程被暫時顯現的狀態。