My practice seeks to respond to the question of how image and installation can loosen the forms of repression embedded within everyday life and lived reality. As geographical locations and creative contexts continue to shift, my body repeatedly enters different environments — factory labour spaces in my hometown, residency sites, and landscapes shaped by the collage-like coexistence of farmland and industrial structures. Each encounter becomes both a process of re-observation and intervention, as well as an embodied and temporary lived experience.

Within these shifting conditions, I have become aware that I consistently enter sites from a position suspended between participation and detachment. This distant mode of observation places me simultaneously as both outsider and participant within the scene. Such distance has become an important method through which I observe, understand, and create. Artistic practice therefore becomes both a medium for establishing relationships with external environments and a space through which feelings of unease can be situated and processed.

My work examines how the image constructs spaces of escape, while reflecting on the visual tension produced by temporary and fragmented landscapes within everyday environments. Through a continual negotiation between site observation, image-making, and the positioning of the viewer, I continue to explore the potential spaces of escape that may emerge between image and spatial experience.