ROUND TABLE: 相遇與共構
NUCE X SUP 2025 FINAL SHOW
‘Round Table : encounter & co-construction’ is an exhibition that celebrates the essence of what SUP believes art is capable of; a vehicle for an international exchange of ideas, skills, and cultures, that connects university to the community through the arts – a belief that the arts are not separate from public life, but deeply embedded within it.
NUCE X SUP 2025 成果展
「Round TABLE：相遇與共構」是一場展覽，呈現了SUP對藝術的信念 - 藝術是一種跨國界的交流載體，連結著觀念、技能與文化，並透過藝術將大學與社群緊密連結。SUP 團隊深信，藝術並非獨立於公共生活之外，而是深深地融入其中。本次展覽旨在慶祝一個充滿相遇與共創機會的校計畫。展覽匯聚了不同的視角與創作方法，透過藝術家與學生的作品共同呈現，並在這個空間中碰撞交織。
NUCE X SUP 2025 FINAL SHOW - ‘Round Table : encounter & co-construction’, held at Changhua Arts Hall, Changhua City, Taiwan. All Event Photo by Bluewein (王家駒).
About ROUND TABLE：encounter and co-construction
Changhua Arts Hall, a site built in 1933 (Showa 8) by the Japanese, once symbolised Changhua's transition towards a modern city. After 1945, the National Government took over the Changhua Public Hall, renamed it "Zhongshan Hall," and it was used by the Changhua County Council as a venue for democratic initiatives. This site not only served as a concrete practice of modern performance and democratic liberation at the time but also carries rich historical memories. The land has witnessed a history of 'encounter and co-creation.' In the development of Taiwanese art history, the introduction of Western-style modern art education during the Japanese colonial period created a connection between Taiwan and the world. Notably, Japanese artist Kinichiro Ishikawa and others brought "plein air painting" and "English watercolour techniques" to Taiwan, indirectly establishing an artistic exchange between Taiwan and the United Kingdom. From today's curatorial perspective, holding this exhibition in Changhua Arts Hall—a space constructed nearly a century ago during the Japanese era—undoubtedly provides an essential historical link for this Taiwan-UK exchange exhibition.
Artist Danny Young's (Yang Yi-Sung) work employs sound, found objects, and the site itself to shape a diverse and interwoven market landscape. Artist Margarita Frančeska Loze's work (Liu Zhen-ni) gathers imagery from nature and temple totems, constructing a temple of faith and imagination rooted in both material and spiritual origins. Artist Hsieh Chih-Kang focuses on the depiction of Taiwanese textures, attempting to reveal an inner truth through realistic techniques and close-up perspectives on graffiti. Wu Kuei-Hsi presents expressive forms and colours, portraying dragon-like, non-human figures that hint at the entanglement and hybridity of global cultures. Chen Yu-Han (Austin Chen) reflects on individual memory (history) and the imagination of time through personal emotional experiences. Artists Chen Wen-Ching and Zhang Jia-xiang’s series of works focus on species and ecology in their environments, presenting a landscape where "giant artificial objects" and "artificial nature" coexist. Artists Tsai Chi-Ting, Yang Shih-Pin, and Lin Chih-Hsien approach the theme from an entertainment perspective, using symbols such as castles, horses, and rock-paper-scissors to explore the dialectical relationship between individual life experiences and real existence. Finally, Huang Lin-Lu's work, with its dynamic imagery of shifting aeroplanes, highlights the impact of industrialisation on globalisation and the tension and confrontation present in current international affairs.
Through this series of works, the exhibition captures the Generation Z experience of "hypertext" and "hyperculture" in the internet era—navigating the outcomes of "open source and sharing" through the motions of their fingertips and gaze. It embodies a new order of "globalisation and decentralisation," where artists are free to engage with local references within media contexts, construct their own identities, and initiate dialogues with the world.
關於 ROUND TABLE: 相遇與共構
彰化藝術館，一座1933年(日本昭和8年)由日本人所興建的場域，當時曾經是彰化朝向現代化城市的象徵。在1945年後，國民政府接收彰化公會堂，更名為「中山堂」並由彰化縣議會使用，作為民主倡議的場所。上述不僅僅在當時代扮演現代化展演、民主解放的具體實踐，同時也承載著豐富的歷史記憶。土地見證了「相遇與共構」的過去，在臺灣藝術史發展歷程中，隨日治時期引進西式現代化藝術教育，創造了的臺灣與世界的連結，巧妙的透過日本石川欽一郎等人帶來「外光寫生」與「英式水彩畫技法」，間接創造了臺灣與英國在藝術上的交匯。而從今日策展的角度切入，展覽發生在近百年前由日本時代所建造的空間彰化藝術館，無疑為本次臺英交流展提供一段承先啟後關於土地與歷史的重要連結。本次展覽以《Round Table—相遇與共構》為題，試圖以「圓桌」-這個融合台式常民飲食文化中的社交介面與英國傳說裡的亞瑟王和圓桌騎士的商議形式。在這個環狀的結構中，並沒有明確的隨從位置，倡議人人平等的精神。同時在意象上也回應「球型」作為人類生存容器的一種隱喻，指向一個去中心化、協商、合作情境。
藝術家 Danny Young (楊易崧) 的作品運用聲響、現成物與場域，形塑出一個多元交織且相互指涉的市場面貌。藝術家 Margarita Frančeska Loze（劉蓁鈮）的作品採集自然和廟宇圖騰的形象，從物質與精神的根源出發建構一座信仰與想像的殿堂。藝術家謝志康聚焦於台式紋理的描繪，試圖以寫實技法和特寫的角度，揭示塗鴨所帶來的內在真實。吳貴希則以表現性的造型和色彩，呈現龍-非人物種的身軀，暗示著全球文化的交纏與混種。陳昱翰透過自身的情感經驗，思索個體記憶(歷史)與時間的想像。藝術家陳汶慶、張家翔的系列作品中，關注所處環境的物種和生態，帶出「巨型人造物」與「人造自然」共存的景象。藝術家蔡季庭、楊世濱、林芷嫻則以娛樂的觀點切入，運用城堡、馬與猜拳等符號，思考個體生命經驗和真實存在間的辯證關係。黃林鹿以動態飛機的挪移，彰顯工業化所帶動全球化，及當前國際情勢所處的緊張與對峙。透過一系列的作品，看見Z世代迎向網路時代的「超文本」與「超文化」狀態，指間、目光的瀏覽情境中經驗「開源與共享」的成果，體現「全球化、去中心」的嶄新秩序。藝術家可以自由的在媒體情境中與在地參照，自我建構並且展開與世界的對話。
Participating Artists
Danny Young | Margarita Frančeska Loze
Wu Kuei-Hsi | Lin Chih-Hsien | Chen Yu-Han (Austin Chen) |Chen Wen-Ching | Zhang Jia-xiang | Huang Lin-lu | Yang Shih-Pin | Tsai Chi-Ting | Hsieh Chih-Kang
Exhibition Production Team
Producer
NCUE Head of Department of Fine Arts Chiu Wen Zhen
SUP UK Arts and Culture Organisation Founder and Director Damian Rayne
Director
Professor Wang Li-yan | SUP Taiwan Co Director Samantha Y Huang | SUP Taiwan Co Director Amit Rai Sharma
Curator Chang Hao-ning | Danny Young | Margarita Frančeska Loze
Visual Design Zheng Jie-yu | Zeng Yu-qiao | Huang Lin-lu
Video Documentation Lin Zhi-xian | Chen Xin-yan | Xu Pei-ni
Administration Yang Chun-qi | Lin Ying-Chun | Austin Chen | Amy Wang
Special Thanks Hu Wei-ru | Wang Jia-ju
Endorsing Authority Changhua City Office
Hosting Organisation NCUE and SUP
Supporting Organisation Changhua Arts Hall
參展藝術家
Danny Young（楊易崧） Margarita Frančeska Loze（劉蓁鈮）
吳貴希 林芷嫻 陳昱翰 陳汶慶 張家翔 黃林鹿 楊世濱 蔡季庭 謝志康
展覽製作團隊
展覽監製
國立彰化師範大學美術系 邱文正 主任
SUP英國藝術文化機構創辦人暨總監 Damian Rayne
展覽執行總監
王麗雁 教授 SUP Taiwan 執行長 黃鋆庭 SUP Taiwan 負責人 Amit Rai Sharma
策展人 張皓甯 Danny Young（楊易崧）Margarita Frančeska Loze（劉蓁鈮）
視覺設計 鄭婕妤 曾榆喬 黃林鹿
影像紀錄 林芷嫻 陳心研 許珮妮
行政協力 楊淳棋 林盈君 陳昱翰 王辰嘉
特別感謝 胡魏茹 王家駒
指導單位 彰化市公所
主辦單位 彰化師大美術系 SUP 英國藝術文化機構
協辦單位 彰化藝術館
NUCE X SUP 2025 FINAL SHOW - ‘Round Table : encounter & co-construction’, held at Changhua Arts Hall, Changhua City, Taiwan. All Event Photo by Bluewein (王家駒).
SUP UK Arts and Culture Organisation
Something Useful Project (SUP) is a UK-based NGO arts and culture organisation established in 2011, dedicated to harnessing the power of visual language to promote the vital role of art in fostering cultural exchange and connecting communities.
Since its inception, SUP has actively promoted cross-cultural dialogue through international artist residency programmes and art-based initiatives, creating strong connections between artists, academic institutions, and local communities. Through collaboration and creative sharing, SUP facilitates deep cultural exchange and mutual understanding.
SUP establishes close partnerships with public and private academic institutions, as well as various arts organisations, offering artist-led workshops, activities, and projects. It tailors residency programmes or art initiatives based on the needs of its partners. SUP is committed to supporting the development of art students, professional artists, and the broader arts ecosystem, creating a platform for cross-cultural exchange and creative practice.
Over the past 11 years, SUP has successfully implemented international artist residency exchange programmes at university institutions in India. In 2025, we are honoured to bring the "SUP International Residency Programme" to Taiwan for the first time, in collaboration with National Changhua University of Education (NCUE), jointly promoting cross-cultural exchange and artistic creation.
About NCUE x SUP 2025 International Artist Residency Programme
The beginning of the Taiwan residency programme stems from a warm personal connection. A student of Professor Wang Li-yan from National Changhua University of Education happens to be the cousin of Samantha Y. Huang, Co-Director of SUP Taiwan, which sparked the initial communication between both parties. Through close collaboration throughout 2024, a partnership was gradually established, laying the foundation for this residency programme. During this time, Samantha Y. Huang led the SUP Taiwan team in working together with Professor Wang Li-yan from the Department of Fine Arts at National Changhua University of Education to develop a unique programme aimed at supporting the needs, aspirations, and growth of both the university’s students and the wider arts community.
Margarita Frančeska Loze (Liu Zhen-ni) and Danny Young (Yang Yi-Sung) stood out from numerous applicants in the UK. Their works, skills, and creative approaches have been nurtured by top British art institutions and further refined through continuous effort and outstanding achievements after graduation. They represent the core spirit of British art, and SUP is committed to selecting the most outstanding artists who embody the SUP ethos for its residency programmes.
Through close collaboration with the faculty and students of National Changhua University of Education, this residency programme focuses on artistic creation, workshop teaching, and interaction between students and the community. The artists hold regular weekly meetings with the SUP team, open their studios, and allow their artistic language to naturally respond to the new environment.
The works exhibited reflect the exchange of ideas and interactions that took place at National Changhua University of Education, in Changhua, and other regions of Taiwan. From Danny’s exploration of Taiwanese ceramic language and understanding of cultural phenomena, to Margarita’s study of Taiwanese temples and cultural contexts, extending to research on natural root systems and socially symbolic root systems, the exhibition fully demonstrates the rich outcomes of this deep cultural exchange in Taiwan.
SUP 英國藝術文化機構簡介
Something Useful Project (SUP) 是於 2011 年成立於英國的 NGO藝術文化機構，致力於運用視覺語言的力量，推動藝術在促進文化交流與連結社區中發揮重要作用。自成立以來，SUP 積極推動跨文化對話，透過國際藝術家駐村計畫及藝術為基礎的專案，將藝術家、學術機構與當地社區緊密連結，透過合作與創意共享，促進深層次的文化交流與相互理解。
SUP與公私立學術機構及各類藝術機構建立緊密夥伴關係，提供由藝術家主導的工作坊、活動和專案，並根據合作對象的需求量身訂製駐村計畫或藝術專案。SUP致力於支持藝術學生、專業藝術家及整體藝術生態的發展，打造跨文化交流與創意實踐的平台。
在過去的11年中，SUP成功於印度的大學機構推動國際藝術家駐村交流計畫。2025年，我們很榮幸首次將「SUP國際駐校計畫」帶到臺灣，並與國立彰化師範大學（NCUE）合作舉辦，共同推動跨文化交流與藝術創作。
NCUE x SUP 2025臺英藝術家駐校與文化交流計畫
此次台灣駐校計畫的起點，源自一段溫暖的人際連結。國立彰化師範大學王麗雁教授的一位學生，正是 SUP Taiwan 執行長黃鋆庭的表妹，雙方因這層關係而有了初次交流。透過2024年, 整年度的密切合作，逐步建立夥伴關係，奠定了這項駐校計畫的基礎。在此期間，由黃鋆庭（Samantha Y. Huang）帶領SUP Taiwan 團隊與彰化師範大學美術系王麗雁教授共同合作，開發了一個獨特的計畫，旨在支持彰化師範大學學生以及更廣泛藝術社群的需求、願景與成長。
Margarita Frančeska Loze（劉蓁鈮）和 Danny Young（楊易崧）從英國的眾多申請者中脫穎而出。他們的作品、技能和創作方法，皆源自於英國頂尖藝術學院的培育，並且透過畢業後的持續努力與卓越成就進一步精煉。他們代表了英國藝術的核心精神，而SUP致力於為這些駐村與駐校計畫尋找最優秀且符合ＳＵＰ精神的藝術家。
透過與彰化師範大學師生的密切合作，此駐校計畫專注於藝術創作、工作坊教學以及學生與社群互動。藝術家們定期與SUP團隊舉行每週會議，開放工作室，並讓他們的藝術語言自然回應新的環境。此次展出的作品，反映了藝術家們在彰化師範大學、彰化及臺灣其他地區所發生的想法交流與互動。從 Danny對臺灣陶藝語言的探索與文化現象的理解，到Margarita對臺灣寺廟與文化脈絡的研析，並延伸至自然根系與社會象徵性根系的研究，充分展現了此次在台灣深度交流的成果。
About NCUE
Since its establishment in 1993, the Department of Fine Arts at National Changhua University of Education (NCUE) has been dedicated to cultivating professionals with capabilities in artistic creation, theoretical research, and educational practice. The department is characterised by a diverse curriculum, excellent faculty, rich teaching resources, international exchange, and deep local engagement, providing undergraduate and master’s students with a comprehensive and multifaceted learning environment and opportunities for growth.
Each semester, the department invites art educators, artists, and professionals from various fields in the arts and culture sector to conduct lectures and workshops, thereby broadening students’ professional perspectives and strengthening their practical skills. At the same time, the department actively organises and promotes exhibitions, allowing students’ works to be showcased in a variety of on-campus and off-campus venues. Students have also participated in numerous overseas exhibitions, fostering international exchange and cross-cultural dialogue.
國立彰化師範大學美術學系簡介
國立彰化師範大學美術學系（Department of Fine Arts, NCUE）自1993年創立以來，致力於培育兼具藝術創作、理論研究與教育實踐能力之專業人才。本系以多元課程、優質師資、豐富教學資源、國際交流與在地深耕為特色，為大學部與碩士班學生提供全面而多元的學習環境與成長機會。
本系每學期邀請藝術教育工作者、藝術家及藝文界各領域專業人士舉辦講座與工作坊，藉此拓展學生之專業視野與強化其實作能力。同時，亦積極策劃與推動展覽活動，使學生的創作能於校內外多元場域展出，並多次赴海外展覽，促進國際交流與跨文化對話。
In Memory of Professor Ann C.S. Kuo
This exhibition is dedicated to the late Professor Ann CS Kuo (1935–2025), the founder of the Department of Fine Arts and the Graduate Institute of Art Education at National Changhua University of Education, in heartfelt tribute to this remarkable pioneer of art education. Professor Kuo devoted her life with unwavering passion to advancing art education in Taiwan and internationally, actively fostering cross-cultural exchange. She was not only an outstanding practitioner but also a warm and steadfast mentor to many.
The NCUE x SUP 2025 Final Exhibition not only showcases the creative achievements of resident artists and students but also symbolises the power of art to transcend cultures and borders. It continues Professor Kuo’s legacy of connecting the world through art, conveying love and peace, and ensuring that her inspiring vision continues to shine brightly.
The Life Of Professor Ann C.S. Kuo
Professor Ann C. S. Kuo was born in Taipei, Taiwan, as the eldest daughter of renowned gouache painters Kuo Hsueh-hu and Lin A-Chin. Immersed in an artistic environment from an early age, she grew to become a distinguished gouache painter and art educator. Professor Kuo earned her master’s degrees from Southern Illinois University and the University of California, Berkeley, and completed her doctorate in art education at the University of Illinois, amassing 26 years of teaching experience in the United States.
After returning to Taiwan, she taught at National Taiwan Normal University, where she participated in the Ministry of Education’s curriculum development. She went on to establish the Department of Fine Arts and the Graduate Institute of Art Education at National Changhua University of Education, playing a pivotal role in developing and strengthening Taiwan’s art education system. She also founded the Art Education Research and Development Association of the Republic of China and the World Chinese Art Education Association, pioneering the integration of Chinese art education resources domestically and internationally.
On the international stage, Professor Kuo served as a council member and president of the UNESCO-affiliated International Society for Education through Art (InSEA). She also founded the International Journal of Arts Education, promoting global dialogue in art education research. Her remarkable contributions earned her numerous prestigious awards, including the Ministry of Education’s Cultural Education Award, the Edwin Ziegfeld Award for Art Education in the United States, and the Taiwan Art Education Lifetime Achievement Award, gaining wide recognition at home and abroad.
Professor Ann C. S. Kuo dedicated her life to connecting the world through art, love and peace. Through her passion for art education, she inspired countless students and creators, becoming a respected leader and role model in international art education.
向郭禎祥教授致敬
本次展覽特別獻給國立彰化師範大學美術學系與藝術教育研究所之創辦人，已故的郭禎祥教授（1935–2025）以表達對這位傑出藝術教育先驅的深切敬意與懷念。郭教授畢生以無比的熱忱推動臺灣與國際藝術教育發展，積極促進國際交流。她不僅是優秀的實踐者，更是許多人心中溫暖而堅定的導師。
本次 NCUE x SUP 2025駐校藝術家與文化交流成果展，不僅展示駐校藝術家與學生創作的成果，亦象徵藝術超越文化與國界的力量，承續郭教授以藝術連結世界、傳遞愛與和平的精神，讓這份信念持續發光。
郭禎祥教授生平簡述
郭禎祥教授出生於臺灣臺北市，為著名膠彩畫家郭雪湖與林阿琴之長女，自幼浸潤於藝術氛圍之中，成長為傑出的膠彩畫家與藝術教育家。她先後取得美國南伊利諾大學與加州大學柏克萊分校碩士學位，並於伊利諾大學獲得藝術教育博士學位，累積長達26年的美國教學經驗。
返臺後，郭教授任教於國立臺灣師範大學，參與教育部課程標準之撰寫，並創立國立彰化師範大學美術學系及藝術教育研究所，致力推動臺灣藝術教育體系之建構與深化。她亦創設中華民國藝術教育研究發展學會與世界華人藝術教育學會，整合國內外華人藝術教育資源，具開創性與影響力。
在國際領域，郭教授曾擔任聯合國教科文組織國際藝術教育學會（InSEA）理事及主席，並創辦《國際藝術教育學刊》，積極促進全球藝術教育交流與學術對話。其卓越貢獻獲頒教育部文化教育獎、美國齊格菲獎（Ziegfeld Award）及臺灣藝術教育終身成就獎等多項殊榮，廣受國內外肯定。郭禎祥教授一生秉持「以愛與和平連結世界」之理念，透過藝術教育啟發無數學子與創作者，成為國際藝術教育界備受敬重的領航者與典範。
